Friday, January 27, 2012

Harlequin (1980): or, Rootin' Tootin' Rasputin

We need more movies about ambiguously evil wizards with disco-fros and lacquered black fingernails in this world. We just do.

I came to this realization recently while watching Harlequin (aka Dark Forces, dir. Simon Wincer), an entertaining and thoroughly MAD slice of Ozploitation from the far reaches of 1980. Displaying hints of the skill that he would later put to good use in blockbusters like Free Willy (1993), The Phantom (1996), and Crocodile Dundee in Los Angeles (2001), director Wincer delivers a fun fantasy flick mixing mysticism, cutthroat politics, charlatanry, a healthy dollop of that good ol' razzle dazzle.

MORE MADNESS...

Friday, January 20, 2012

The House of the Seven Graves (1982): or Disco in the Dovecote

I admit I wasn't expecting much from The House of the Seven Graves (La Casa de las Siete Tumbas, dir. Pedro Stocki). And at first, I seemed to be getting what I was expecting. However, as the movie wore on, what started out as a standard flick about possibly supernatural childhood trauma turned into an eerie, dark fairy tale about witches in the woods, haunted wells, and the destructive tensions between lovers and friends. Perhaps that doesn't entirely excuse some of the film's narrative and technical shortcomings, but it did make for an entertaining and somewhat pleasing pelicula from our friends from way way south of the border.

Somewhere in rural Argentina, besties Clara and Cecilia make their way through an idyllic, thoroughly normal childhood. They ride their bikes, braid each others' hair, and play the innocent juvenile games of an age before Internets, XBoxes and lipstick parties. This all changes, however, when down by the train tracks an old hobo entertains them with the legend of a witch who lives nearby, who has a penchant for luring young 'uns to her house, draining their blood, tossing their lower halves down a well and shoving their disembodied heads into a huge, haunted dovecote* on her estate grounds. With nothing better to do, adventurous Cecilia drags timid Clara to the house in question and dares her to go into a workshed, only to abandon her friend once the dusty door clatters shut. If you're thinking this is a recipe for life-long psychosexual trauma, you've clearly been to Argentina before.

*Note to the Vicarage Architetural Corps: we need a haunted dovecote. STAT.

MORE MADNESS...

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